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Colorama CO121 Colorama Paper Background 2.72 x 11m Carnation
Colorama is the most popular background with professional photographers around the world. At Colorama we carry large stocks of all colours and sizes to ensure fast, worldwide availability.
Superior Background Paper Seamless 60 Wedgewood Blue 2.72m x 11m

Superior Background Paper Seamless 60 Wedgewood Blue 2.72m x 11m
We recommend confirming stock availability for all paper rolls | 03 9486 5899
Due to the size of these rolls they are often subject to delays in shipping. If you have a specific deadline that the order is required by please contact us to discuss options.
Colours are a best representation and may not be an exact match to the colour of the actual paper
Properly storing your rolled paper backgrounds between uses helps prevent warping and creasing.
Store the roll in an upright position located inside, in a dry place, and away from direct sunlight.
We do not accept exchanges for change of mind, or returns after a period of one week since purchase.
Godox ML60 LED Daylight LED Light
At just 5.7 x 3.5 x 3.5″ the compact ML60 LED Light has a host of advanced features “under the hood.” The light sports a 5600K colour temperature – ideal for shooting outdoors, in a large place dominated by windows, or to seamlessly blend with other daylight-balanced fixtures. A high CRI rating of CRI/TLCI: 96/97 is ample evidence of advanced capability in rendering colour. The ML60 dims from 0 to 100% and it has a 32-channel, 16-group receiver that allows you to adjust the light’s dimming level and on/off functions. You can manage these locally on the fixture or wirelessly at a distance with a separately-purchased controller. The light even has eight lighting effects including lightning, flash, conference, paparazzi, TV, and broken bulb.
Made with run-and-gun shooting in mind the ML60 has a removable handle as well as an umbrella socket. Ready for worldwide use, the ML60 runs on 100 to 240V, thanks to the included AC adapter, but it will also run on two NP-F970 batteries when AC power is unavailable. Godox has included a carrying case for storage and transport.
Tiffen 82mm Circular Polarizer
Tiffen 82mm Circular Polarizer Filters – Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun.
If you’re out walking on a lovely day – in the mountains or at the beach – and you want to get a fabulous shot of a cloud-filled sky or make the water seem more saturated, then a polarizer is the way to go. This filter is the best way to make the clouds stand out, increase or decrease the saturation of the ocean or increase or decrease the reflection off the water. You can also use this filter when shooting into glass or windows since it will, again, either increase or decrease reflections.
If you’re shooting black and white and want to simulate a threatening storm, try throwing on a #25 Red filter. The vista will take on the appearance of an imminent, ominous storm.
Along with a UV or Skylight Filter, a polarizing filter should be a part of everyone’s gear bag. It can turn a run-of-the-mill image into a stunning, creative photo by increasing color saturation.
This filter eliminates ultraviolet rays from outdoor shots as well as polarizing the light to remove reflections, and increase color saturation, without affecting the overall color balance
Can dramatically enhance a blue sky and make the clouds more prominent
Used best at right angle to the sun
Effective with cameras that use beam splitters in the path of the TTL light meter and with AF cameras
Tiffen 82mm Variable ND-WW
The 82mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 – 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want – a real time and money saver.
Simply mount the filter on your lens, set it to “Min” density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn’t, switch to manual focus and rotate to the desired degree of filtration.
For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to “Min”, you change the shutter speed to 1/125 at the same aperture – thereby losing 2 stops of speed while gaining a hint of “blur” in the image. If that’s not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.
A Neutral Density filter is used to create some unusual special effects such as capturing the “blur” of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.
The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.
Thin Profile Ring (9mm) – The wider front filter ring helps reduce the possibility of vignetting (the darkening of corners) at wide angle and is not deep enough to accommodate a lens cap
It allows you to have continuous control over the amount of light coming through your lens in an approximate range of 2 (ND 0.6) to 8 (ND 2.4) stops