Featuring an improved weather-resistant design and a shorter body than the S-Mic 3, the S-Mic 3S Shotgun Microphone from Deity Microphones allows boom operators and field sound recordists to achieve broadcast-quality sound in a variety of outdoor shooting scenarios like indie films, ENG, and documentaries. Unwanted background noise is practically eliminated thanks to the S-Mic 3S’s pristine audio reproduction. Low-noise circuitry and RFI resistance ensure minimal editing in post. High-sensitivity and a wide frequency range of 50 Hz to 20 kHz ensure intuitive sound pickup without additional tinkering. You’ll find no switches, buttons, or dials on the S-Mic 3S, so you always depend on it to deliver consistent sound, reliability, and ease of use.
Deity Microphone S-Mic 3s
For Indie Films, TV & Documentaries
Improved Weather-Resistant Construction
Supercardioid Pickup Pattern
Short Body, Phantom Powered
Simple Operation with No Controls
RFI Resistance, Low-Noise Circuitry
High Sensitivity Requires Less Gain
Smooth Tone with Low Off-Axis Coloration
Aluminum Alloy Construction
$660.00
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0 out of 5(0)The NTG1 is a lightweight condenser shotgun microphone, designed for professional applications in film, video, television and broadcast. Its full frequency response, low noise and transparency make it ideal in a range of applications, including filmmaking, voice-over and streaming, while its low weight (105 grams) makes it an ideal boom microphone. It also features a switchable high-pass filter for added flexibility.
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Its standard sized shoe mount also includes a 3/8″ thread in the base for easy mounting on a boom pole or stand.
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0 out of 5(0)The NTG4 is a professional shotgun microphone with an expansive feature set that makes it incredibly versatile. It is super lightweight, making it ideal for use on a boom or on a camera. Its low-noise circuitry and clean, crisp sound also make it an excellent microphone for voice-over and livestreaming applications
The NTG4 has a highly directional supercardioid polar pattern and features a high-pass filter, a -10dB pad for recording loud sound sources, and a high-frequency boost for compensating for the dulling effect of using a fluffy windshield.
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