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SmallRig CINE 4 x 5.65″ Black Diffusion 1/8 Filter 4741
Dual-sided 22-layer coating for a delicate and soft film-like texture, ensuring consistent color reproduction throughout the range.
Unique multiple color correction layers, nano anti-glare coating, and a distinctive structure of intermediate layers with fine particles.
Produces a cinematic-quality halo effect, imparting a frosted texture reminiscent of traditional film aesthetics.
Tiffen 58mm Variable ND-WW
The 58mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 – 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want – a real time and money saver.
Simply mount the filter on your lens, set it to “Min” density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn’t, switch to manual focus and rotate to the desired degree of filtration.
For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to “Min”, you change the shutter speed to 1/125 at the same aperture – thereby losing 2 stops of speed while gaining a hint of “blur” in the image. If that’s not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.
A Neutral Density filter is used to create some unusual special effects such as capturing the “blur” of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.
The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.
Thin Profile Ring (9mm) – The wider front filter ring helps reduce the possibility of vignetting (the darkening of corners) at wide angle and is not deep enough to accommodate a lens cap
It allows you to have continuous control over the amount of light coming through your lens in an approximate range of 2 (ND 0.6) to 8 (ND 2.4) stops
Neutral Density Filters Have Four Main Uses
To enable slow shutter speeds to be used, especially with high speed ISOs, to record movement in subjects such as waterfalls, clouds, or cars
To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background
To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situation
To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure
ColorCore Technology
The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration
Tiffen, a leader in the filter industry, proudly makes its filters in the USA and backs up its products with a solid 10-year warranty
LARH Textile Full Soft Frost 12′ X 12′
LA Rag House Textile Full Soft Frost 12′ X 12′. Frost carries a variety of unique diffusing qualities and levels of opaqueness. This line allows highlights to shine through while softening the edges and extending the wrap of harsher sources. Elastic sewn into corners for easy installation and comes with ties.
Hahnemuhle Fine Art Baryta 325Gsm A4 25 Sheets
FineArt Baryta a bright white, 100% alpha-cellulose paper guarantees archival standards. With its premium high-gloss baryta inkjet coating FineArt Baryta meets the highest industry standards regarding density, colour gamut, colour graduation and image sharpness while preserving the special touch and feel of genuine art paper. Compatible with pigmented and dye inkjet systems.
High demand item, please call/email to check stock.
03 96462399 sales@borge.com.au
Rode WS4 Windshield for NT4 Stereo Microphone
The WS4 is a high-quality foam windshield that is designed to fit the RØDE NT4 stereo microphone. It helps prevent wind noise and any hard plosive sounds overloading the microphone capsule.
Key Features:
High-quality foam windshield for RØDE NT4
Tilta Canon R6 Mark II Lightweight Kit – Titanium Gray
Introducing our Lightweight Kit for Canon R6 Mark II, the perfect accessory for photographers and videographers looking to enhance their camera?s functionality while keeping their rig compact and mobile.
Specifically designed to be compatible with the Canon R6 Mark II Camera, this cage provides additional protection to the camera body while offering multiple mounting points for accessories.
The cage includes a NATO Rail, 1/4?-20 Threads with Locating Pins and multiple Cold Shoe Receivers, giving you plenty of options to mount your accessories with ease.
The kit supports various Top Handles that mount via 1/4?-20 and can be used with the included NATO Top Handle via an additional Nato Rail Attachment which offers more flexible operating and handling.
The handle includes several mounting points including one cold shoe receiver which can be used to mount an external monitor via our Cold Shoe Accessory Mounting Bracket.
Additionally, the kit includes a Cable Clamp which helps secure HDMI and USB-C cables, and is also compatible with our Modular Baseplate System.
Although half cages provide more limited options in terms of mounting accessories, they are lighter weight and a great option for filmmakers or photographers who only need a few accessories.
Overall, our Lightweight Kit for Canon R6 Mark II improves the camera?s functionality for video production without adding unnecessary bulk or weight to the system, making it the perfect