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Sprig Big Cable Management Device 3/8″-16 Blue 3-Pack
Offered as a 3-pack, the Big Sprig Cable Management Device presents filmmakers and sound recordists with a fast, convenient, and simple solution for keeping cable runs tidy on their cinema equipment and camera rigs. With a quick twist, it can be installed in or removed from a 3/8″-16 threaded hole in a hurry. Since it is constructed from a durable injection-molded material, it can withstand the rigors of life on location.
Big Sprig makes it more convenient to organize cables along the surfaces of your cinema equipment. Its patent-pending design features a flexible thread for a lightning-quick install that keeps you on pace with even the most blistering schedules. Since Big Sprig models the functionality of a 3/8″-16 screw, a twist of the wrist is all it takes to achieve a snug fit or loosen to remove. In a hurry? Go ahead and release with a firm tug. The tough and flexible Big Sprig can handle it.
Single Big Sprig dimensions and weight – 33.5mm x 22.5mm x 20.1mm, 4.1g. Threaded Fastener Size – 3/8″-16. Cable Opening Diameter – 13.5mm.
Kaiser Fototechnik 4151 Lab Tray, 13 x 18 cm white
Made of shock-resistant plastic. Acid- proof. Heat resistant up to 80? C (17? F). Grooved bottom (4171-4178) enhances removal of paper and ensures best possible flow for chemicals and stability.
With pouring lip. 4171 – 78 with recess for tray thermometer.
Tiffen 67mm Variable ND-WW
The 67mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 – 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want – a real time and money saver.
Simply mount the filter on your lens, set it to “Min” density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn’t, switch to manual focus and rotate to the desired degree of filtration.
For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to “Min”, you change the shutter speed to 1/125 at the same aperture – thereby losing 2 stops of speed while gaining a hint of “blur” in the image. If that’s not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.
A Neutral Density filter is used to create some unusual special effects such as capturing the “blur” of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.
The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.
Thin Profile Ring (9mm) – The wider front filter ring helps reduce the possibility of vignetting (the darkening of corners) at wide angle and is not deep enough to accommodate a lens cap
It allows you to have continuous control over the amount of light coming through your lens in an approximate range of 2 (ND 0.6) to 8 (ND 2.4) stops