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Tilta Camera Cage for RED KOMODO-X Pro Kit – Black
Mount Accessories via Cold Shoe, NATO, Arri Rosette, 1/4″-20 and 3/8″-16 Threads with Locating Points
Modular Design allows individual components to be removed or attached for unique configurations
Lens Adapter Support features multiple points of contact and a clamp based design for supporting larger lenses
Wooden Handle provides improved operating and handling experience with NATO Mount
Lightweight Top Handle improves flexibility and adds mounting options
Manfrotto Head Pro Video 502AH Flat Base
The Manfrotto 502 Fluid Video Head with flat base features variable fluid drag system for pan and tilt movements that’s cleverly incorporated into the design.
It’s ideal for the latest camcorder and HDSLR cameras supplied with external accessories. It has a maximum capacity of 7kg and features a Ø75mm half ball connection to ensure compatibility with most equipment today.
This video head also has a fixed counterbalance system of 4 Kg Last but not least, 3/8” Easy Link attachment points allow an external monitor or other accessory equipment to be fitted.
Laserworld EL-900RGB 4 Head RGB Laser Effect 900mW
Laserworld EL-900RGB
The Laserworld EL-900RGB is a complete laser show in one device. It has been designed to especially meet the demands of mobile DJs and smaller nightclubs to fill the whole room and overcome the limits of rather narrow scan angles.
The EL-900RGB is an RGB show laser system with a total overall output power of up to 900mW and fast step motors with 3-8 kpps. it has four beam apertures with an individual pair of step motors.
Many of the built-in patterns have been programmed in a way that the four laser outlets play well together and fill the whole room, like a multi-unit laser show. The curved shape of the unit allows for a very large horizontal deflection angle, so the laser can cover the whole room.
The Laserworld EL-900RGB can be run in sound-to-light, stand-alone or DMX mode. It can display many different colors, including white!
The red diode laser module with a wavelength of 650nm, the green DPSS laser module with a wavelength of 532nm and the royal-blue laser module with a wavelength of 450nm ensure beautiful colors and bright beams. The beam has 3 mm diameter at the aperture and a divergence of about 2 mrad. About 50 preset basic patterns, like layers, tunnels, fences, waves etc. are included. Many of them do not output all the same way on all four laser outlets, but some of the x-axis mirrored or modified in a way, that the laser display looks nice and homogenous.
The sensitivity of the integrated microphone can be adjusted for the sound-to-light signal perception.
Samyang 35mm T1.5 MK2 VDSLR/Cine Sony FE Full Frame Lens
Full-Frame 35mm Cine Lens, T1.5 Aperture
Weather Sealed, 9-Blade Iris, Canon EF
Multilayer Coating to Reduce Flare
Focal Lengths Visible on Both Sides
Standard Gearing for Focus and Iris
Dual-Side Focus and T-Stop Scales
De-Clicked Aperture Ring
Aspherical Lens Elements
Manual Focus and Aperture
Removable Petal-Type Lens Hood
Audio-Technica ATH-M50xBK Premium studio ‘phones with 45mm drivers, 1,600mW handling, 15-28,000Hz, three cables. Black

Audio-Technica ATH-M50xBK Premium studio ‘phones with 45mm drivers, 1,600mW handling, 15-28,000Hz, three cables. Black
The M50x are one of our most acclaimed audio solutions and our best-selling headphones. Based on the ATH-M50, the M50x include an upgraded detachable cable for convenience and versatility, perfect for the studio, gaming or when you’re out on the move. Enjoy passive noise isolation through the comfortable ear cups designed to keep you in the zone and in the game, while their large aperture drivers deliver our industry-loved sound signature.
Aputure MC Pro RGB LED Light
Designed for filmmakers and creators in need of advanced control, the MC Pro RGB LED Light Panel from Aputure offers expanded connectivity options, an IP65 rating, and RGBWW capability. This Pro version utilizes a similar compact, pocket-sized form factor to the brand’s original MC fixture while bringing professional functionalities. With an upgraded optical design and LED chipset, the MC Pro has an impressive color temperature range from 2000 to 10,000K and a tighter beam spread of 45° for increased intensity. This multifunction light allows you to add color to your productions and can be used for in-camera practical effects or as a portable fill or accent light. You can control it onboard with a TFT color display, remotely using the Sidus Link app, or via advanced wired and wireless methods, including DMX/RDM and LumenRadio CRMX.
With a rugged construction and a practical design, this 4.2 x 2.7″ fixture is rated IP65 for weather resistance, so you can safely use it outdoors or in wet weather. The MC Pro’s USB-rechargeable battery lasts up to two hours at maximum output and quickly recharges in 90 minutes via its USB-C port. This 5W mini panel can be placed and operated virtually anywhere or hidden in small spaces. It easily fits in the palm of your hand and attaches to various metal objects via its built-in magnets. Additionally, a 1/4″-20 thread allows you to utilize other mounting gear, such as the included cold shoe ball head, to mount the light directly on your camera, cage, or other rigs. A carry bag is also included to store and transport your light.
Tiffen 72mm Variable ND-WW
The 72mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 – 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want – a real time and money saver.
Simply mount the filter on your lens, set it to “Min” density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn’t, switch to manual focus and rotate to the desired degree of filtration.
For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to “Min”, you change the shutter speed to 1/125 at the same aperture – thereby losing 2 stops of speed while gaining a hint of “blur” in the image. If that’s not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.
A Neutral Density filter is used to create some unusual special effects such as capturing the “blur” of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.
The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.
Thin Profile Ring (9mm) – The wider front filter ring helps reduce the possibility of vignetting (the darkening of corners) at wide angle and is not deep enough to accommodate a lens cap
It allows you to have continuous control over the amount of light coming through your lens in an approximate range of 2 (ND 0.6) to 8 (ND 2.4) stops