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Bubblebee The Windkiller Extra Small Big Mount
The Windkiller is our long-haired wind protector that fits shotgun microphones from Audio-Technica, Audix, DPA, JVC, Neumann, Røde, Sanken, Schoeps, Sennheiser, Sony and others – see chart under the photos.
The core of the Windkiller consists of high quality coarse foam with Bubblebee’s carefully chosen soft and fluffy imitation fur on top. This faux-fur is highly durable, works excellent to block the wind and is aesthetically pleasing for the eye.
Beamz BUV463 LED UV Light and Strobe
Beamz BUV463
The?Beamz BUV463 is powerful and LED UV effect light with an ultra wide coverage and on-board strobe effect. The LEDs are divided into 4 separately controllable segments giving you the possibility to create runway effects. Because the LEDs are positioned in a slight angle you can create a very wide spread of light and cover a large area. Equipped with IEC in/out for daisy chaining multiple units together.
Tilta Hydra Alien Car Mounting System – V-Mount
The Hydra Alien Car Mounting System was designed from the ground up to work in conjunction with smaller gimbals to allow for a lightweight solution to car-mounted cinematography.
The system utilizes a highly customizable combination of dovetail-like plates and suction cups that can support a payload of 50kg each. Highly elastic shock-absorbing silicon provides longer durability and less abrasion, while the updated suction cup plungers create a stronger seal for improved security in colder weather.
When interconnected, the system allows users to fine-tune the exact placement of their shot to achieve almost any angle possible when mounting to a vehicle.
The system also uses a shock absorbing arm to better stabilize the camera for certain shots as well as a spring-loaded cradle head if the intended shot requires that the gimbal be flipped upside down.
The newly included Hydraulic Dampening Pole further stabilizes the arm to provide smoother results when driving conditions are less than optimal.
The Hydra Alien supports full wireless control of the RS2 via the optional Remote Control Kit for RS2 which allows you to control your RS 2 gimbal’s settings as well as the record and photo functions of your camera via either a wired or wireless connection. It also includes a thumbstick that allows you to control the pan and tilt of your gimbal for maximum precision while operating.
High, low. To the side of the car, mounted on top of it — almost any car mounted shot can be configured using the Hydra Alien Car Mounting System. Let your imagination run wild!
*This system is compatible with any gimbal that can mount via 1/4″-20 screws and power via P-Tap*
(1) Dovetail Plate L1 for Hydra Alien (HDA-T02-L1)
(1) Dovetail Plate L2 for Hydra Alien (HDA-T02-L2)
(1) Dovetail Plate L3 for Hydra Alien (HDA-T02-L3)
(1) Dovetail Plate L4 for Hydra Alien (HDA-T02-L4)
(1) Dovetail Connector Plate for Hydra Alien (HDA-T02-DCP)
(1) Large Suction Cup for Hydra Alien (HDA-T02-LSC)
(2) Small Suction Cup for Hydra Alien (HDA-T02-SSC)
(1) Shock Absorbing Arm with Hydraulic Damping Pole for Hydra Alien (HDA-T02-SAA)
(1) 90 Degree Adapter for Shock Absorbing Head for Hydra Alien (HDA-T02-ASA)
(1) Shock Absorbing Head for Hydra Alien (HDA-T02-SAH)
(1) Power Supply Base Plate for RS 2 with power cable (TGA-PBP)
(1) Dual Battery Plate Support Bracket for Hydra Alien (HDA-T02-DPS)
(1 x 8-piece set) 220g Counterweight (TGA-CW-220)
(1 x 10-piece set) Cable Clamp Suction Cup for for Hydra Alien (HDA-T02-CSC)
(1) Tool Kit for Hydra Alien (HDA-T02-TK)
(1) Safety Belt (219-000000-089)
(2) V-Mount Battery Plate for Hydra Alien (HDA-T02-BP-V)
(1) Car Mounting Hard Shell Waterproof Safety Case for Hydra Alien (HDA-T02-WSC)
Color: Black
Coemar Risalto LED M D Fresnel (D CRI90) 200w, 150mm Lens, 11°- 82°
An ideal LED substitute of the traditional Risalto with lamp, available with PC or Fresnel lens. Available in two different versions: Risalto Led S (100 W COB LED), Risalto Led M (200 W COB LED). Complete with color frame.
• Light source: Tungsten or Daylight COB LEDs
• CRI 90
• Smooth 16 bit dimmer
• Guaranteed flicker-free operation (DMX controlled PWM frequency)
• RDM (Remote Device Management)
RED V-RAPTOR XL (X) 8K VV (V-Lock)
Full-Frame, Global Shutter CMOS
Purpose-Built Unified Body
Global Vision with Extended Highlights
Phantom Track for Ghost Frame, Remapping
Interchangeable PL Mount Included
Supports up to 8K120, 800 MB/s Video
17+ Stops of Dynamic Range
Industry-Standard Input/Output Array
Integrated Electronic ND Filters
Powerful & Versatile 12/24V Outputs
Matthews Extendallini
Provides strong, solid gripping of round, square, or rectangular tubing and many other common and irregular shapes. Features ergonomic handle design and reinforced jaws, and the shaft is 1010 chrome plated steel. Available with 2″ or 3″ Center Jaw and 2″ or 6″ End Jaw. The Center Jaw has a fixed jaw mounted at the base of the Baby Pin portion of the shaft providing strong support for the pin. The End Jaw has the fixed jaw mounted at the end of the threaded portion of the shaft. The Mini Matthellini 3/8″ threaded version is perfect for mounting camera, lighting and many other devices w/ 3/8″ female holes, and also comes with a jam nut to prevent rotation. Superior in tight places!
Superior Seamless 94 Orange Background Paper Roll 1.35m
We recommend confirming stock availability for all paper rolls | 03 9486 5899
Due to the size of these rolls they are often subject to delays in shipping. If you have a specific deadline that the order is required by please contact us to discuss options.
Colours are a best representation and may not be an exact match to the colour of the actual paper
Properly storing your rolled paper backgrounds between uses helps prevent warping and creasing.
Store the roll in an upright position located inside, in a dry place, and away from direct sunlight.
We do not accept exchanges for change of mind, or returns after a period of one week since purchase.
Tiffen 72mm Variable ND-WW
The 72mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 – 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want – a real time and money saver.
Simply mount the filter on your lens, set it to “Min” density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn’t, switch to manual focus and rotate to the desired degree of filtration.
For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to “Min”, you change the shutter speed to 1/125 at the same aperture – thereby losing 2 stops of speed while gaining a hint of “blur” in the image. If that’s not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.
A Neutral Density filter is used to create some unusual special effects such as capturing the “blur” of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.
The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.
Thin Profile Ring (9mm) – The wider front filter ring helps reduce the possibility of vignetting (the darkening of corners) at wide angle and is not deep enough to accommodate a lens cap
It allows you to have continuous control over the amount of light coming through your lens in an approximate range of 2 (ND 0.6) to 8 (ND 2.4) stops
Blackmagic Design Teranex Mini 12G-SDI to Quad SDI
Convert 12G-SDI to Quad Link SDI so you can connect the latest 12G-SDI Ultra HD equipment with Quad Link Ultra HD equipment. Also allows Ultra HD SDI to be separated into four HD SDI outputs for using regular HD displays for creating video wall style displays. Includes 12G-SDI loop through and support for both Level A and Level B 3G-SDI equipment.